Regina Giménez - Francisco Sanchéz - July 2 - August 15 2025 - ARTSY online COSMOS: The Shape of the Infinite

Screen printing - Cosmic Geography - 143 x 103 - Regina Giménez

Step into a space where cosmic geometry meets emotional resonance. Regina Giménez maps silence with structure. Francisco Sánchez ignites the void with color.

The cosmos has always stirred the imagination—once thought to be made of four primal forces: earth, air, fire, and water. These elements, full of emotion and energy, reflected a universe born not in stillness, but in motion and tension.

Regina Giménez and Francisco Sánchez explore cosmic imagery through divergent yet complementary approaches.

Giménez constructs quiet order from celestial fragments—maps, diagrams, and minimalist forms reassembled into poetic, abstract compositions. Her works evoke planetary movement and scientific rhythm, reinterpreted through color and geometry.

Regina Giménez captures the cosmic scale through a deeply personal lens and channels the vastness of space through bold compositions.

Her visual language balances opposites: vivid colors and monochromes, geometry and emotion, abstraction and figuration. Planets, eclipses, orbits evoke celestial bodies freed from scientific precision and reimagined as lyrical forms.

Sánchez, in contrast, explodes with expression. His paintings pulse with celestial energy—flashes of light, atomic filaments, and structured bursts that blend architecture with chaos.

Francisco Sánchez paints the cosmos in motion, where feeling erupts like a supernova. His brushwork evokes explosions of interstellar matter—filaments of atoms, flashes of energy, nebulae swirling in dark matter.

He constructs space with geometric forms—rectangles that at once confine and release radiant explosions. One painting might hint at a fireball in the solar system; another glows with masses of color—cool greys, luminous blues, crimson reds fading into shadow.

Sanchéz explores the interchange of form, modulation, time and color, expanding his ongoing research into materiality and painting. The process involves the use of forms that oscillates between the organic and architectural.

Together, their works reveal a universe shaped by balance and eruption, science and emotion—a space where matter becomes metaphor, and the infinite becomes intimate.

Both explore the interchange of form, modulation, time and color, expanding their ongoing research into the materiality of image and painting. The process for one involves meticulous overlaying of colors and for the other the use of forms that oscillate between the organic and architectural.

Both master their practice to perfection.